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There was an article in the Sept/Oct, 2004 Narrow Gauge
Gazette on Kenneth Ehlers Pandora & San Miguel Sn3 layout. On the cover
is a view of the many pine trees on a steep hill side. What caught my attention
was the dead tree in the scene. The tree he modeled is one that is recently
dead where as my model is very dead.
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The trunk is painted to represent different stages of
decay. Natural trigs were glued into holes drilled in the trunk.
The foreground scenery was improved by planting some
straw and live grass and then adding some of our Dead and Alive ground cover.
What I call Dead and Alive ground cover is the moss material ground up in
a blender until it passes through a window screen.
Those patches of Straw and Green grass are of course
colored Jute twine. |
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The year after our massive forest fires in Arizona,
drought set in that year. The bark Beatles moved into the trees and killed
a major portion of what was left of the forest. This is what the trees looked
like. We have since received a lot of rain and snow and thankfully, many
of the trees have recovered.
I modeled them by using the brown colored moss material
for the limbs. Jute twine was stained with my #1430 Earth Pigment. The Jute
was cut into short snips to represent dead needles. I then flocked the tree
and set them with hair spray. |
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Another tree has been added to the scene and the
thought occurred to add dead pine needles on the ground below. They are
short snips is Jute Twine colored with out #1430 Earth Pigment.
You can make this yourself, but I recommend using rubber
latex gloves as it's messy and there could be health issues involved. Handling
the finished product will leave dye on your hands also, so use at your own
risk.
A half cup of Denatured Alcohol, Turpentine or Mineral
Spirits is placed in a jar as either one of these products gives the same
results. Add a half teaspoon of brown pigment and shake it up to dissolve
the pigment. Now add ten one foot lengths of the jute twine and shake it
up again an few times and then remove the twine. Pulling each string through
your fingers a couple times helps disperse the color into the material.
I spread them out on news paper and let dry for several hours. |
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This picture has finally been restored to my computer
having lost a while back. I used it on the box cover of the Pine Tree kits
we sold some years ago. They use the same natural moss material (#3) that
is used on our new style Ponderosa trees. The main difference is that the
trees at left look very shaggy and look good in a cold winter setting. Consider
the fact that heavy snows and high winds can damage a tree. For this effect,
clumps of moss are simple pushed down the trunk and glued in place. They
are then trimmed with scissors for the conical shape. I quit selling these
trees because hand manufacture of the cedar trunks was too time consuming.
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This Ponderosa tree uses our #3 moss material, but
it's laid on Jute string for the branches. Needle detail comes from short
snips of our #5 Green Grass material. This is set on the branches with hair
spray. I don't mix both styles of trees in the same scene because they wouldn't
look right. The trees at left make better foreground models where as the
above trees look good in the higher elevation back ground of the layout. |
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The Pinion Pine has #6 wool to fill out the Sage
Armature. Needles were made from our #5 Green Grass clippings and set with
hair spray. |
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A version of a Shaggy Bark Juniper can be modeled
with a Sage Brush armature and our #3 natural foliage material. I have expanded
on this technique by adding clippings of our #5 Green Grass material for
needle detail. I don't mix the two versions close to each other on the layout
as they compete for attention as to what one looks better. |